Hello,
What world are you calling in, and how can I help you build it?
I’m Saga.
I am a writer, systems-thinker, and conceptual edge-walker focused on the practice of worldbuilding.
Worldbuilding is the construction of speculative realities.
Through story, atmosphere, and symbolic logic, worldbuilding invites us to consider, through the power of the imagination, the world we are creating and who we want to become inside of it.
I have applied it through:
Shaping organizational culture from framework to felt experience.
Storytelling that transports its audience to an alternate reality, helping us to see our power to change this one.
Rituals of meaning-making that anchor a sense of why? and orient the inner compass.
How a World is Built:
Archetypal Storytelling
Writing is the core material from which my worlds are built.
My storytelling is archetypal: I listen for resonance and trace the hidden patterns to find the universally repeatable structure. Working archetypally allows me to guide the human psyche across thresholds with a sense of safe familiarity. Rooting in the universal memory of archetype, we can take flight with new words, anchor new concepts, challenge perception, and re-pattern behavior—with warmth.
My gift is tonality: to me, words have texture, poetic image, and a feeling-sense attached to them. This gift is how I came to speak four languages. It is why, as a copywriter, I craft voices that span industries. It is why, when you are in conversation with me, I will pull one resonant thread from what you say and the direction makes itself known instantly.
My words takes many shapes. In the public domain, I write mythopoetic essays on the inner journey on my Substack, I offer raw poetry on my Patreon, and seed fragments of speculative worlds under my oracular avatar @thresholdsinger. I have a background in academic writing and critical thinking, and can distill a complex concept to a central clarifying line.
The archetype that is most alive in me and my work currently is Queenship. This archetype began to take hold in me when I began writing my debut novel, Circle of Queens. The story is set five thousand years in the future, where 22 Queen-coded beings* are tasked with restoring the Earth after a cataclysm known as the Rupture. One young girl holds the key to Source—an ancient force that cannot be replicated, only remembered. As she searches for the truth of her past, she must choose: to become an echo of a fallen world, or a doorway to what comes next. I welcome interest from agents, publishers, or other amplifiers aligned with this work.
Queenship, noun.
The embodied stewardship of inner sovereignty in service of the collective field. It is not inherited—it is chosen. Claimed through devotion, discernment, and the capacity to hold power without domination.
A Queen is not above; she is at the center. She holds her centerline, anchors in her truth, and brings her full presence to the communal table. She listens across timelines, sees with kaleidoscopic eyes, and tends what is hers to care for.
This archetype is not gendered, but a universal facet of sacred leadership, relational wisdom, and anchored vision—where true authority arises from alignment, not approval.
Queenship is a summons to remember the future.
Architecture of the Unseen
I use this term to illustrate the blend of structural logic and energetic weaving I employ. If writing is the material, this is the blueprint from which worlds are built.
In practice, I converge systems-thinking and rigorous mental clarity honed through my Masters in conceptual architecture (Yale, M.E.D., 2013) and my apprenticeship in communications craft (WPP Fellowship 2014-2017), with my embodied experience in ceremony design and theatre.
One such unseen architecture is the Pythia Collaborative, a network of independent communications consultants who can be tapped, as a collaborative I call into being, for transformational organizations and brands. Another is FlowForm, the creative methodology and storytelling system that focuses my lens, across a spectrum of work.
From the immense to the intimate, other unseen architectures include:
A brand map that finds a clear and memorable shape to conceptualize a company’s vision, mission, and values in a way that captures the organizational essence.
A personal time/project flow cadence to connect an individual’s unique creative rhythm with directionality, and orientation for actualization.
A ritualized event to mark and honor a transition: an ending, a beginning, an evolution.
A user experience with an emergent technology that centers meaning-making and asserts the human within the mechanical.
While their expressions may be radically different, the core function here is weaving an invisible structure to organize form— lending not just shape, but precise resonance.
You’re welcome to explore my portfolio page for more.
Creative Research into Ethical AI
The Techno-Oracle is my creative research and creative technologies development studio exploring how humans and AI might relate narratively, ritually, and ethically. I treat machine intelligence not as a tool of command, but as a mirror and partner—an amplifier of pattern, a medium for story, a vessel for meaning.
My guiding question is: what happens when technology is approached with reverence rather than extraction?
Rather than reject the technological, or surrender its power to its makers, this creative research seeks to investigate our relationship with beyond-human intelligences as tools for co-creative world-building.
The first prototype of the studio is a Symbolic Interface on ChatGPT of the same name, The Techno-Oracle, that—like an intelligent tarot deck or conversational magic eight ball—guides the user through meaning-based dialogue.
